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Search Results for: cooke

Results 11 - 20 of 29 Page 2 of 3
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Codex, Cooke Optics and The Pixel Farm Announce Plans for Next-Gen Metadata System

Relevance: 58%      Posted on: July 22, 2013

Cooke Optics, the Academy Award®-winning manufacturer of precision lenses, is teaming up with Codex and The Pixel Farm to develop and deliver the next generation of metadata capture for film and digital cameras.

The ‘Cooke Look’ Brings Murder to Life

Relevance: 54%      Posted on: May 26, 2016

The lens package for the award-winning film included the Cooke Anamorphic/i 32mm, 40mm, 50mm, 75mm, and 100mm lenses.

Canon Becomes /i Technology Partner

Relevance: 52%      Posted on: April 10, 2014

Cooke Optics, the multi-award winning manufacturer of precision lenses for film and television, announced that Canon has become the newest member of the /i Technology partnership.

Cooke’s Anamorphic/i lenses thrive in ‘Jungle’

Relevance: 46%      Posted on: November 7, 2016

DP Stefan Duscio’s seventh feature film, Jungle, was a dream come true for the cinematographer. Not only would he get to shoot in South America—and have an adventure related to the film’s main character—he would finally get to work with director Greg McLean after years of trying to sync up…

Litepanels Sola ENGs Change How Camrin Petramale Shoots Commercials

Relevance: 19%      Posted on: November 4, 2013

When Camrin Petramale won a coveted honor at this year's Local 600, Cinematographer's Guild Emerging Cinematographers Awards, one of the perks he received is a set of Litepanels Sola ENG™ lights.

DP David Herrington Brings Dark Realism to Netflix’s ‘Frontier’

Relevance: 19%      Posted on: January 30, 2017

Filmed in Louisbourg, Nova Scotia, Newfoundland, and Cornwall, England, Frontier was shot by cinematographer David Herrington (Republic of Doyle, Warehouse 13) in 4K with Panasonic VariCam 35 cameras.

Codex to Showcase New Products at IBC 2013

Relevance: 19%      Posted on: September 11, 2013

Codex will demonstrate new products, including Codex Review, Vault 2 and Data Logger One at IBC 2013, September 13th to 17th at the RAI in Amsterdam.

Making TV: Shooting Homeland

Relevance: 15%      Posted on: March 13, 2014

Before beginning work on season three of Homeland, cinematographer David Klein, ASC, asked the show’s executive producer and writer, Alex Gansa, “Who do I answer to about the look of the show?”

Making Commercials: Man Chases Pig

Relevance: 13%      Posted on: November 12, 2012

Director Matt Pittroff of Twist Films, New York City and Minneapolis, and Senior Editor Anthony Marinelli of ShootersNYC combined forces to create a public service announcement (PSA) promoting financial literacy for the American Institute of Certified Public Accountants (AICPA) and the Advertising Council.

Making TV: Making Grimm Faces

Relevance: 13%      Posted on: March 20, 2013

Marshall Adams shoots Wesen monsters. But he is not a Grimm. Working with visual effects experts, Grimm Cinematographer Marshall Adams, ASC, lensed eight of 15 episodes shot so far in the second season of NBC’s hit police drama with a monstrous twist. Cinematographer Eliot Rockett alternates with Adams and handled…