RebelMouselinkedinPinterestGoogle +BlogspottwitterFacebook

  • music-2

    Music Libraries See Spots as a Growing Client Base

    In the history of commercial advertising on TV stories are legion of the power of music to enhance a spot's message and make a ho-hum spot memorable.
  • no-image-1158

    Editor's Notes: Milestones and Makeovers

    It's a milestone to achieve a 25th anniversary — as Bill Marino of Sync Sound will tell you (see Inside View) — and Markee's celebration of 25 years of
  • legacy-2

    Legacy Effects Populates Pandora

    Much like the motion picture industry that builds on its hundred-plus year heritage by constantly embracing the new, Legacy Effects (www.legacyefx.com)
  • DP David Connell (right) with camera operator Gary Camp on location for Leverage. Photo courtesy David Connell

    Making TV: Leverage

    In Leverage, the hour-long TNT comedy/drama that began its third season January 13 at 10 p.m., a gang of con artists led by Nate Ford, a former insurance
  • Winter Numberland wraps up with a lady dancing, a lord a-leaping, a piper piping and a drummer drumming.

    Making Commercials: 12 Days of Christmas

    For the 2009 Christmas Price Index, Deutsch Inc./NY decided to make an animated and live-action video of "The Twelve Days of Christmas" for PNC and asked
  • inside (5)

    Inside View: Sync Sound

    "Ken (Hahn) and I met at Regent Sound which became one of the first sound-for-television facilities in the country. I was the chief engineer and a mixer,
  • deschanel-1

    ASC Lifetime Achievement Award Winner - Caleb Deschanel

    Although Caleb Deschanel's breakthrough film, The Black Stallion, was shot 30 years ago and he's gone on to net Academy Award nominations for The Right
  • Photo by Owen Roizman, ASC

    ASC Lifetime Achievement Award Winner - John C. Flinn

    Unlike previous winners of the American Society of Cinematographers (ASC) Career Achievement in Television Award, John C. Flinn, ASC, whose body of work
  • southeast film commissions

    Spotlight: Southeast

    As film commissioners in the Southeastern states of North Carolina, South Carolina, Georgia and Florida can attest, the level of incentives offered can be